ABOUT
About the Film
The Best of the Best: Jazz from Detroit is a landmark double portrait of Detroit’s extraordinary jazz legacy and the dynamic city that produced it. Inspired by Mark Stryker’s award-winning 2019 book Jazz from Detroit, the feature-length film chronicles the defining impact of Detroit’s innovative jazz musicians and makes the case that you can’t tell the history of jazz without telling the history of jazz from Detroit. Set within Detroit’s dramatic rise and fall as an industrial power and the struggles and triumphs of its African American community, the film weaves a compelling historical and cultural tapestry through the 20th and 21st centuries.
From legends like Elvin Jones, Yusef Lateef, and Ron Carter to today’s stars like Karriem Riggins, Kenny Garrett, and Regina Carter, scores of world-class jazz musicians have rolled off Detroit’s assembly line—nurtured by a profound legacy of mentors such as Barry Harris, Marcus Belgrave, and Rodney Whitaker, and the resiliency of an American city that never quits. The Best of the Best: Jazz from Detroit reminds audiences that Detroit remains a mecca of Black musical excellence, and that jazz is central to the soundtrack of the city’s renaissance.
Among the musicians, producers, historians, and writers featured in the film are: Geri Allen, Terence Blanchard, George Bohanon, Kenny Burrell, Ron Carter, Regina Carter, James Carter, Barry Harris, Marion Hayden, Louis Hayes, Robert Hurst III, Hank Jones, Elvin Jones, Thad Jones, Sheila Jordan, Yusef Lateef, Christian McBride, Charles McPherson, Pat Metheny, Johnny O’Neal, Endea Owens, Karriem Riggins, Rodney Whitaker, Don Was, David Maraniss, Herb Boyd, Jamon Jordan, Marsha Music, and many others. (c. 2024, 90 minutes)
Major funding for The Best of the Best: Jazz from Detroit provided by leadership gifts from the Kresge Foundation and the Fred A. and Barbara M. Erb Foundation.
Additional financial support provided by Gregg Hill, Doris Duke Foundation, Community Foundation for Southeast Michigan, Peter and Julie Cummings, Dr. Linda Hill and the University of California-San Diego, Michigan Humanities, and more than a dozen other individual donors.
Director’s Statement
I have loved jazz for almost as long as I can remember.
I grew up in Newark, New Jersey, and went to a diverse inner city high school with a large African American population. Like Detroit’s Cass Tech, my high school had a robust music program, and my friends were talented musicians—many are now professionals. I didn’t share their musical talents, but we were bonded by our love for jazz.
My partner Roberta Friedman and I first visited Detroit in 2013 while working on a different film project. I fell in love with the city. Detroit’s history parallels the history of the Newark I grew up in. I recognized in Detroit a kindred spirit: a certain resilience, an invigorating commitment to creativity and renewal despite adversity.
From Mark Stryker’s Jazz From Detroit, I learned how many great performers were Detroiters, and how little even committed jazz fans like myself knew about the powerful role the city of Detroit has played in this music. We contacted Mark through mutual friends and the three of us decided to make the film together. We met many wonderful people, felt like Detroit could be home and made a film that we are all proud of.
Daniel Loewenthal